As long as I can remember, I have been passionate about singing and writing. I can’t choose between the two, so I combine them. When a friend encouraged me to start writing about music history, at first I became nervous because I really did not know where to start. Music History is so HUGE! So I tried to my way into a format that I enjoyed and thought other people would enjoy reading. What came up was the song. The song throughout the centuries.
I could have known this! Songs of literally all periods have always made their way into my heart and soul. I don’t particularly prefer one period or one style and you can see that in my programming. And there are links between songs. Irish guitarist Rory Gallagher based a lot of his extremely hot guitar licks on baroque chord progressions. The make-up of The Stones’ Paint it Black is entirely classical, modulating from the minor D to the parallel major key of F. The Elizabethan bard didn’t differ that much from today’s singer-songwriter.
Songs want to be heard. They surface in the soul, not tied to any boundaries of time. They work their way into the mind and settle there so comfortably we call them ‘ear worms’. It’s those ear worms that demand to be admitted to a concert programme. Often, they present themselves through somebody else so I get emails with Youtube links and messages like ‘Ooh, can we do this?’ or ‘I have always loved this song, can you make us an arrangement?’
Songs also want to be written about, with a little bit of information about their surroundings, their family, their time. Or they want to be linked to songs of later periods who are their brothers and sisters. So that is the work I have to do and I shall do it, she said dramatically, blogging on this website.
So you see, songs have a very strong will of their own. I wish you Happy Reading.